this is how i've decided to survive 2014. there's an art bitch inside me. imagine a tiny scantily dressed, art savvy and violently sassy 1990's rosie perez permanently perched atop my shoulder. she advises me what to tolerate and what to explode over... it's her little hands with bright, fake nails that help take my earrings off when i'm about to throw down semi-metaphorically on someone whom i believe is a) committing an art crime b) being a fucking idiot in need of real talk c) moving their mouth without intelligence d) sunday driving on a tuesday e) needs his or her ego put in check f) fucking up MY art g) wrong. my solution? very little horrible shit coming out of my mouth and a tiny puerto rican woman to blame when it does. it's been a relatively quiet year for me--art wise. i've been developing my tarot project slowly but surely and it's progress has thus far been very well received. i'm still planning on a solo show in september at singer social club--not particularly wild about the venue, but i totally committed to the place before i saw the layout, lighting, design. lesson learned. i've been in there a couple of time for the new and successful art walk reno and haven't been tickled. granted, rosie and i are really really hard to impress and quite frankly, we're sick of hanging my art in bars. been there, done that. it's dim, nobody buys shit, it influences the perceived value, and my work deserves better. i haven't had any solo shows and i've only participated in a handful of group events (eric santti's circle project most prominently). i'm working on illustrating some short story panels for my friend chris at YA'LL ARE DEAD/Sunday Snuff which is totally interesting and outside my element. as in i get to draw aids infested toilet pubes and, if it enhances the story-telling, maybe a sick anus or two that's fallen out of itself from disease. cross your fingers, everyone. i'm stoked on this. aside from a few rants about the generator's general hypocrisy and lack of follow through and leadership, that place still stands. somehow. i know that we're all supposed to help out our fellow man... and that artists should stick together and come when called upon and etc etc etc. i just have never seen anything like the ol' genny and it's animal farm-esque leadership. it feels really good in there sometimes and other times fake as fuck. again, the juice hasn't been worth the squeeze. burning man is coming and no, i won't be in attendance this year either. unless some amazing project that is perfect for me comes my way... i get a free ticket... and i can jaunt off by myself without losing my job. so basically if the accidental stars align, i might head out for the weekend. otherwise, i'll pass. i dunno what rosie and i are gonna do. pretty sure we're just gonna blow this city out of the art water in the next year and until then maybe write a few more passive aggressive blogs to myself, for myself, about myself and wait patiently for our (mine and rosie's) time to shine.
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so much about being in a place is about being and existing inside the in between moments. the collection of them. the aftermath. the build up. the clean up. the participation. so much about being around artists is about being around artist's egos. backing away when she's about to blow, closing in when the time is right. it's usually about working together for a common something. a common good, a common being, a common space that is so extraordinary that it's never been perfected. everywhere i've ever worked... and by worked, i mean created art... there's been a common theme of betterment. whether it be by the simple recreational re-purposing of a piano, the improvement of the facility property, or a desire to better the surrounding community--from 4th street to wrondel to dickerson to icehouse there has been an effort to positively reach out creatively. thankfully, in all the places i've been the last five years, i'm not the only one who feels that way. there's a like-minded-ness and it feels good to be in the same room with it. for the most part, goals are met, decisions are made, idea has become reality in some fraction of the sense. things are happening (and by things, i mean ART). from birth of the idea of the original 4th street salvagery to the today's cousin, the generator--i've loved bearing witness to this evolution. in their own right, and you know who you are, each establishment and it's kin/cousin/friend/rival has been a success in building a ladder for this community's artists to climb upward. sometimes reno ain't so shabby after all. and then some mornings you inexplicably wake up with the song from pocahontas in your head. before coffee, before shower, before dog belly scratches--i'm up stumbling and humming along to how high the sycamore grows and don't cut it down or whatever. it's streaming inside my brain on malicious repeat. no, not that shitty vanessa williams version--the one from the hit animated disney movie of my young adulthood. it's been a long couple of weeks and i have little to say cuz my brain is fried from awesome. my tarot project is going great--the gofundme is moving along nicely and people and friends are donating toward the most great dream ever. i'm fully cubbied at the generator, i've got the gopro (which i'm still learning how to use), and i'm gonna start time lapsing this week. i've lost 8 pounds on accident over this project. my old dog otis is getting older and sicker by the day. i'm officially the poorest i've ever been in my entire life. i hardly see my boyfriend. the skin on my hands is red and worn and falling off. there is no light at the end of any tunnel... and yet, i'm pretty fucking happy. |
Mallory Mishlerwhere i'll post the in's, out's, tween's, and twixt's of my world of art mixed with pictures, links, opinions, and rants. (oh, and curse words. lots of curse words) Archives
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